Pop Art - 20th Century Art History

Roy Lichtenstein is an American painter , sculptor , printmaker and decorative operative . His paintings found on the motifs and procedures of comic strips and advertisements made him one of the central figures of American Pop artHe initiatory studied under Reginald marsh in a summer course at the finesse Students League , New York , in 1939 , continuing from 1940 to 1943 at Ohio subject University in Columbus . He was particularly influenced by the description of Hoyt L . Sherman , a painter , designer and architect who introduced his students to modernism . Sherman was invadeed in the br psychology of perception and problems of vivid faux . In his teaching he insisted that the act of representation should be separated from everyday experience and considered solely for its courtly qualities , as an `abstraction ( Rosenblum , 1999 , 192 ) In the course of his life Roy Lichtenstein adhered to that beliefAfter host usefulness in Europe , in World warfare II , Lichtenstein re change by reversaled to Columbus in 1946 and in 1949 completed his track of all right Arts . The subject-matter of his early works became apparent c . 1949-50 . selective service on the biomorphic abstraction and heroic themes of Abstract Expressionism Lichtenstein varicoloured such subjects as humanlike plants , beautiful women in gardens , and barbaric animals , as well as romantic medieval subjects of knights and battles . alone this was assorted with a subtle irony , and stylistically oriented towards European modernists Picasso Klee , Kandinsky and Miru . In 1951 Lichtenstein devised his first major theme : American narration and the conquest of the `Wild West as in internal Fort Laramie (Alloway , 1983 , 14 . He borrowed subjects treated by 19th-century artists , first using such well-k straight offn mo dels as Emanuel Leutze s working groovy Cr! ossing the Delaware and early paintings of American Indians by Carl Wimar and Carl Bodmer , and indeedce go to anonymous illustrations . The source material on which he establish his pictures was selected for its wealth of authentic detail and for its dependence on lifelike conventions (Alloway , 1975 , 145 .

He adopted a series of respective(a) artistic languages , first approximating Picasso s style of the 1940s , in 1956 turn to a more ornamental idiom and then to run into motifs , and finally turning to abstraction in 1958 in a late variation of Action paintingLichtenstein taught from 1946 to 1951 at Ohio State University , then from 1957 at the State University of New York at O swego , and from 1960 to 1963 at Douglass College , Rutgers University in New Brunswick , NJ where he met Allan Kaprow and other artists . These contacts encouraged his fire in cartoon imagery , stemming initially from small-scale 19th-century illustrations and from an anthropomorphic treatment of animals in the work of such modern artists as Miru (Gaggi , 1989 Lichtenstein recognized that devices favored by cartoonists were very similar to those lively by such painters as Picasso and Klee , whom he had studied so intensivelyIn 1961 Lichtenstein made the final break with his early work . Whereas he had previously translated his source materials into personal variants of Cubism or Constructivism , he flat appropriated from comic strips not only the subject-matter...If you want to get a full essay, order it on our website: OrderEssay.net

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